Rem koolhaas 2002 essay junkspace

Junkspace reduces what is urban to urbanity Although strictly non-architectural, it tends to the vaulted, to the Dome. Koolhaas uses Heathrow as an example to demonstrate this lack of expandable space. Its financing is a deliberate haze, clouding opaque deals, dubious tax breaks, unusual incentives, exemptions, tenuous legalities, transferred air rights, joined properties, special zoning districts, public-private complicities.

Architecture, he explained, is a slow vocation. Junkspace does not pretend to create perfection, only interest. Its role is not to approximate the sublime, but to minimize the shame of consumption, drain embarassment, to lower the higher. Junkspace is its apotheosis, or meltdown The baroque complexities of junkspace were compensated by the stark rawness of its adjunct infrastructures; parking garages, filling stations, distribution centers that routinely displayed a monumental purity that was the original aim of modernism.

Now we work harder, marooned in a never-ending casual Friday Laughable emptiness infuses the respectful distance or tentative embrace that starchitects maintain in the presence of the past, authentic or not.

The reason for this excess is just quick orientation, not a search for justification.

Rem Koolhaas and Hal Foster – Junkspace/Running Room

Where it is absent, it is simply applied - mostly in stucco - as ornamental afterthought on hurriedly erected superblocks.

Air conditioning has launched the endless building. Color in the real world looks increasingly unreal, drained. AMO[ edit ] In the late nineties, while working on the design for the new headquarters for Universal currently VivendiOMA was first exposed to the full pace of change that engulfed the world of media and with it the increasing importance of the virtual domain.

As for the subjectivity of conceptual knowledge, if we adopt the extreme Nominalism of the post-modernists and say that the only meaning imparted to our concept of some aspect of reality is the definition we give to it, then then necessary implication is that all knowledge is inherently arbitrary in the sense of being neither true nor false due to intrinsic non-verifiability: Just as junkspace is unstable, its actual ownership is forever being passed on in parallel disloyalty.

Koolhaas continuously incorporates his observations of the contemporary city within his design activities: Valley cultures are the most resistant to junkspace:. The essay is a “jeremiad,” as Foster notes, one full of angst and apocalypses, and alongside Koolhaas’s adumbration of contemporary nightmares is a funerary mourning for modernism, for an era of planning and function structured by the welfare state.

Koolhaas’ essay-manifesto “Junkspace“, expresses his contempt for the state of modern architecture in a decidedly literary style filled with metaphor and evocative imagery: “Junkspace,” he writes, “is the body-double of space, a territory of impaired vision, limited expectation, reduced earnestness.

Perhaps Koolhaas’ essay was a warning. The economic collapse of was a precipice of Junkspace out of which architecture is still climbing. The only thing more Junkspace than a high-rise luxury hotel is one half-built on indefinite hold.

koolhaas' Junkspace

Jul 23,  · The definition of Junkspace is junkspace itself? Look in your own house or apartment. I'm sure you'll find at least some junkspace. I've read the Koolhaas text several times and found it less useful/meaningful with each reading.

Jul 23,  · The definition of Junkspace is junkspace itself? Look in your own house or apartment. I'm sure you'll find at least some junkspace. I've read the Koolhaas text several times and found it less useful/meaningful with each reading.

Rem Koolhaas (born 17 November ) is a Dutch architect and architectural theorist, professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas is the founding partner of OMA.

Rem koolhaas 2002 essay junkspace
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After Junkspace — Danny Floyd